Bölüm: Settimana XII | İTA227 Ortaçağ’dan Rönesans’a İtalyan Edebiyatı I

İTA227 Ortaçağ’dan Rönesans’a İtalyan Edebiyatı I İTALYAN DİLİ VE EDEBİYATI ANABİLİM DALI data:image/svg+xml;base64,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Bölüm anahatları

In questa lezione si parla di DANTE ALIGHIERI: TANTO GENTILE
Meglio che di Canzoniere, come si fa, sembra, sulle orme di Charles Lyell (1835), è prudente discorrere di Rime di Dante: poiché alla cinquecentesca accezione di «canzoniere» involontariamente s'associa, dopo l'esperienza petrarchesca, l'idea d'un'opera unitaria, dell'avventura organica d'un'anima, e si tende così a riportare al Duecento l'esigenza d'una cosciente costruzione psicologica almeno tanto quanto stilistica, chiusa nell'armatura d'una storia perspicua, e nella quale lo stile è, appunto, anzitutto quello sforzo perenne d'eliminazione e semplificazione.
- DANTE ALIGHIERI: TANTO GENTILE etkinliğini seçin
  
  DANTE ALIGHIERI: TANTO GENTILE Dosya

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